The windows are open. The soundtrack is crickets, Canadian geese... and while flowers are still blooming, Fall is definitely in the air.
Its time for the Component of the Month reveal at Art Jewelry Elements. This month the fall themed piece is a ceramic oak leaf and acorn from Linda Landig. She offered a diverse palette in warm tones, but this sage speckled green called my name. When it arrived the orange stumped me. Its not a color I work with often, and this glaze was a coral/orange color. I'd recently had the pleasure of an intro needle felting experience with Marsha of Marsha Neal Studio... and there was this pumpkin color wool that I had picked up as scrap... Umm... I think its time to wet felt!
Here is Linda's original (finger for scale reference...) and my felted piece - back and front. I have done small scale welt felting before - thanks to the uber talented Cooky Schock. Its so like painting that it speaks to my inner colorist, and draws on my painting experience. There is an element of random for me - while others may have more mastery of the material, I can sort of get it to do what I imagine... The felt turned out great! I wanted to bead it, and create a small mixed media hanging piece. Here's my end result:
I hung it there between my closet and my new bead tower in the studio. It may stay there! Here are some details of the beaded embellishments:
The stamped text translated as "bright autumn" in Gaelic. I love text, but sometimes using other languages is more interesting to me, adding a mystery element and keeping the text a visual first. I chose Gaelic as a nod to the Celtic language of trees. The oak stands for strength, courage, perseverance... Ironically the twig I used is a cottonwood twig from New Mexico. I am very pleased with how it turned out, and have to thank Linda for the incentive to try wet felting again! After this I did a shadowbox shrine showcasing one of Lesley's foxes!
(Sorry for the bad pix. It was a quick snap as I dropped it off for a fibers show at the local gallery.)
I'd love to hear what you think! And the guests and AJE team is listed below! Please take a look at their creations as well!Guests Carolyn Lawson Alice Peterson Diana Ptaszynski
August. Bead Fest. End of Summer. Back to school. And AJE Art Camp!
This year I am thrilled to share today's reveal with Lesley Watt! She came for Bead Fest and a vacation... We sat down Friday in my studio to work on projects... her COM was done. Mine was not...
The ceramic piece we were working with is a rustic coin by our friend and colleague Diana P. of Suburban Girl Studio:
I confess - I had an older rustic coin that I had altered. I poured resin, trapping a thin sliver of snakeskin inside. Although Diana sent me a new coin for the COM - I decided to challenge myself to finish the piece I had started... The coin no longer has the center opening so I was leading towards bead embroidery. Although I sadly covered up some of the crusty glaze on the edges, I love the matte aqua and really wanted to play up that color. The snaleskin showed best on a white substrate... and as I worked a snake emerged. Yes - that is one of Diana's small cabs there in the "head" of the snake. It was a perfect fit.
Here is the finished piece! I am happy with the results and plan to hang it on a wide silky ribbon. I liked the pearls with the 15* anchor bead - echoing the dot pattern of Diana's hand stamped design. And the little seed pod beads were a perfect companion to the stoneware clay.
Now - with out further ado I turn it over to Lesley!
So as Jenny said, I was lucky enough to be staying with the esteemed designer of this months COM and was able to make my piece in her company. Ever the comedian here she is trying her best to distract me...!
My particular component was a lovely mellow sea foam colour and I just happend to have bought some African Turquoise brick beads at Bead Fest which were a perfect accent. I also brought with me from home some of Diana's beads in the same rustic style and some leather. I went for a design strung on waxed linen and created a bail with some seed beads. I then raided Diana's bead box for some brass spacers to intersperse between the turquoise and rustic beads.
Here's the completed necklace which I finished with leather cord but I may well change this for some chunky brass chain when I get home. The design is simple and symmetrical but I love the way the natural stone works with Diana's piece to give a soft but earthy feel - very me.
Many thanks to Diana for giving us the opportunity to work with her lovely components. If you would like to see what the rest of the AJE team and our guest designers created please click on the links below.
If you are looking for the Beading back in time hop - click here!
This month new member Niky Sayers ( of Silver Niknats, now Niky Sayers Artisan Jewelry) sent us pieces made from the old British farthing coin. (A farthing was 1/4 of a penny. There were 240 pence in a LB Sterling. Taken out of circulation in 1960 - that leaves a lot of coins for creative purposes!) Niky sent me a hollow lentil bead made from 2 coins. Its stunning! I am particularly fond of the wren, often called Jenny Wren. Some nursery rhymes have the Queen of Fairy shape shifting into a wren...
I thought I wanted to do a bangle and have a message/mantra for myself as it is Jenny Wren... Here is the first attempt: stamped and engraved copper to frame the wren bead. I have a great little engraver that makes it so easy to do script...
I wasn't happy with that. I had those shapes in mind to transition from the width of the bead down in proportion to the wire wrapped bangle section. They looked like the whites on either side of an eye, and they didn't sit well on my wrist. And color. I think I want color...
There! I am so pleased! Lampwork by Indian Creek art glass with aventurine and turquoise accents.
If you are coming to Bead Fest stop by Artisans Alley #461- I'll be sure to wear this and you can see it in person. Until then - please join my colleagues and out guests on this month's hop!
It has a been a supremely busy month! Clay Camp, Bead Fest preparations... and here we are at the reveal for the Beading Back in Time blog hop! Wish I had a Time Turner like Hermione! But I digress...
Early Civilization (3500 BC to 500 AD)
Really? How am I supposed to choose? Crete. Classical Greece. Rome. The Celts. Not to mention Babylon. Assyria. China. Japan. I decided to save Celtic as my favorite for the final hop. I wanted to challenge myself; many friends seemed to be leaning to Ancient Greece... I have chosen Ancient Egypt although it doesnt seem like a challenge! I have loved this time period and this culture since I was in grade school. I have taught numerous Egyptian themed lesson to ages 6-18. I have written papers on Egyptian amulets, their uses, and the traditional materials used. Phew. Now let's make something!
Images from: House of Eternity, Getty publications
Tomb paintings from the tomb of Queen Nefertari show the deceased queen and various goddesses as she is guided into the Afterlife. We are all familiar with the heavy gold and bead collars favored at this time; and pectorals set with carved lapis scarabs, goddesses in carved carnelian... But it's the amulets that fascinate me. Small, intimate talismans; prayers to the diverse dieties that were actively worshipped by all classes, all the time. (I wrote a series of post on amulets for Art Jewlery Elements a while back. Part 1 - Ankh and wedjet aye. Part 2 - Dietites, heart, tyet...Part 3 - faience or self glazing clay.)
So I gathered inspirations:
1. Illustrated antique book - Dictionary of the Bible 2. Cigarette cards 3. My faience amulets 4. The working selection. What to choose!?
I had a stoneware heart amulet - small, simple but interesting to me. I selected the sandcast blue beads to reference Egyptian use of lapis, and a few accent beads in carnelian. Its long, it falls over my heart - made of many small wrapped links in brass wire. While the piece is very simple, it is extremely wearable and has many layers of symbolism. Colors were especially meaningful in ancient Egyptian art.
Heart amulets: to the ancient Egyptians it was" the most essential organ... the seat of intelliegence, originator of feeling... storegouse of memory..." Andrews*
Clay: "primevel substance which recalls both the original creation and the ongoing process of life and fertility" (ie the annual Nile fllod) - Wilkinson*
Red: represents both fire and blood; energy/dynamism/power
Blue: the heavens and the flood; life and rebirth
But I had more ideas I wanted to try!
I have been working with this style mixed media piece for a while. (Sadly the class wasnt selected at Bead Fest this year.) They are polymer, and contain vintage images and antique watch crystals. The polymer is the bezel and the backing, and I handpaint each one in anywhere from 2-5 layers of oil, acrylic and Gilder's paste.
The images are taken from a set of vintage children's encyclopedias. I love the limited palette! (These WILL be available and more like them at Bead Fest this August. Artisan's Alley #461)
Please take a few minutes to enjoy the other offerings! Easy arm chair or desk top time travel right here. Links available with our hostesses:
Lindsay Starr - Phantasm Creations
Sherri Stokey - Knot just macrame
Thanks for stopping by!
*Amulets of Ancient Egypt by C. Andrews. Page 72
*Symbolism and Magic in Egyptian Art by R. Wilkinson. page 94
When Jennifer announced "fireflies" as the themed challenge over at Art Jewelry Elements - I knew the exact look I wanted to capture. The luminous deep blue sky, trees in silhouette, just enough light to see by... and the magical sparkles of light, like fairies flitting in the dusk.
In the ceramics studio I have been testing out my palette of underglazes in the ^10 reduction firings we do at the work studio. The underglazes are holding up to the high heat and retaining their color in a pleasing fashion - on porcelain. I love porcelain, but its not the clay body I use most. So lets give it a whirl...
I carved a few simple pendants style pieces with the silhouetted shapes of grasses and trees. The fireflies themselves are circular impressions: I wanted to melt glass seed beads there. Planning on keeping the porcelain matte in finish - the seed beads should create little glossy halos around the "firefly" impressions. Here they are glazed, and a few of the first results:
Now the good news and the bad: I fired them all at once. All my proverbial eggs in the same basket. So I see what worked, and what I want to change, but I have to start anew. As shown above - all the blue skies look alike at first - and some have fired much darker. It was different shades of blue... The seed beads created the EXACT halo I wal looking for; but they were yellow/golden beads and they have fired to an amber color, not the yellow I hoped for...
These four are the truest to my original plan, although there are things I want to try differently. (They will be available at Ceramic Art Bead Market on FB later this week)
These three are much darker, but have some nice larger melty fireflies and a few smaller plain yellow ones in the distance. (Also on CABM later this week.)
Now - of course I had another idea as well, and limited time between 2 shows this month and teaching Clay Camp at the "work" ceramics studio... Mason jars. The iconic symbol of childhood summer nights catching fireflies.
These are still a WIP. I sculpted three jars of varying sizes from polymer, and made a quick mold. I cast them in resin, doing multiple pours, and embedding golden microbeads and flecks of gold leaf in the layers. (The gold leaf wins. The micro beads are too small.) The purple RTV had a more open surface texture, resulting in a frosted look that you can see on the left and center jars. The yellow molding putty - from ICE resin - had a much tighter surface, and yielded a better result. Still a bit cloudy/frosty, I plan to give these a quick surface coat of ICE resin to smooth out the inconsistencies in the surfaces and hopefully achieve a smooth/transparent/glossy surface.
I know this may be a logical go-to mixed media combination to create an iconic firefly piece... but I love it! I plan to wire wrap the jar's neck... and I have visions of a necklace palette of dark blues, teals, black with one or two pops of yellow scattered in the night sky...
Please take a chance to see the other offerings from AJE team members and guests this month! Sure to light up some ideas for you!
May. I miss you already. But before you depart - its the May Component of the Month at Art Jewelry Elements!
Sue of SueBeads sent these lovelies! I told her to surprise me because I think all her color palettes could easily inspire...
But Sue knows me and sent me these delicious beads: copper, garnet red and aqua.
The palette gave me a plethora of ideas! I started early as I wanted to bead embroider something to play off the beaded texture. The beads were small, but I wanted them to relate directly to the focal, inspiring the whole necklace palette so they would be a major player regardless of size.
Polymer cab of mine; an Art Nouveau woman, in copper with patina accents. glass flower beads, garnet pearls, and corresponding seeds.
I knew I wanted the beaded beads at the junction of necklace and silk, with some visual rest between them and the focal. I selected simple pearls and amazonite to go between. I am happy with the results!
Please join the rest of the team and our guests this month in the AJE COM hop:
Mayhem most definitely.
The month of May - the one that is over half gone asI write this? Whew. So many wonderful things... here is a whirlwind tour to catch up. I do resolve to return to a regular scheduled blog presence, but you KNOW how things are...
I have a feature article published in "Cloth Paper Scissors"!!! The article features the mixed media pieces shown above; combining metal, shell, fibers, wood, found objects...The original (pictured on the left) was inspired by a short story by Charles DeLint entitled "The Conjure Man". You can read all the details on the original blog post if you desire. Or for the step by step details pick up a copy of "Cloth Paper Scissors".
I took a break from clay and beads to return to books, altered books to be precise. This was for a library fundraiser called "Novel Art" for the Ligonier library in PA. I knew of the event from Andrew Thornton as its his town... It was great fun to do something so different, and for a worthy cause. My piece is a shrine built inside an old hardback. The theme ws inspired by the ttile "Singing Waters" which instantly meant SIREN to me. She is polymer, with sheet music behind her. The ocean image on the left is transparent so text reads through.
I am always adding new tiles to my library! Here you see the Harpy and the Mermaid of Zennor that debuted at Spoutwood Faerie Festival. This week I started a Greek Sphinx - another in the series of sassy women from myth, and a Ganesha. You can see a bit of my process as the sphinx is sketched out, tahn built up. Next she will be carved into detail.
Spoutwood! What a wonderful festival! Why do I never take enough pictures?! The weather was gorgeous! The crowds were huge! And I love seeing old froends and making new!!!
When worlds collide: my teacher's aide and friend Emma also off work to cavort with the fae...
This week and last have been a frenzy! (Check out #creativefrenzy on Instagram) I signed up rather last minute for a "Norigama" firing at the Perkins Center for the Arts. I have three weeks to create and dry and fire... 20-3- pieces. Whoa.
And I am involved in the creation of a great new auction site on Facebook: Creative Artist Bead Market. The goal is to showcase the best of the best, quality ceramic beads that are truly artist made. Hand made. Its an auction sirte, great fun, and a growing community. I like this new model as Etsy has completely sold out... But also - you will see a few new pendant designs in the picture above! Hare! Fox! Mermaid!
All this and more detailed in my newsletter! Sign up here! ( top right column sign up box)
See? May IS mayhem.
Until next week...
When Rebekah of Tree Wing Studio posted these hearts - I was smitten. But silvery grey? Or copper? How to choose/ I am usually not so into hearts, but the wood texture on these appealed to my "woodland" inspired self.
Copper it is! So its a dryad inspired piece. That was a given. This popped into my head, almost complete:
That is a stoneware cab of mine, with a polymer leafy surround. I wanted to create a tangle of vines to hang the heart. Should it be wire wrapped or seedbeads? Branch fringe? Seed beads won.
It was all a bit freeform - in other words, I winged it. A drop here, a flower there... It IS a bit off center, but as her face is tilted it didnt bother me too much.
And the back- I drilled small holes along the bottom edge so I could stitch and loop. As of right now she is a focal only, but I have a show this weekend and HOPE to have her finished to take along...
Thank you for stopping by, please let me know what you think! And take a tour of the other blogs - we have several guests and AJE team members participating this month!
(If you are looking for the Art Jewelry Elements April COM follow this link. Thanks! )
Beading Back in Time! Time to find the Tardis key, walk through a certain circle of stones, or fuel up the DeLorean...
This quarter we are inspired by ancient history, "Early Human" which for the intents and purposes here will be prior to 3500 BCE. Now this time period resonates with me... I hve been drawn to the carved stone goddess figures since childhood. If you want to get really careful with dating and art history this period is even before the famous cave paintings of Lascaux! So I thought for sure it would be goddesses that inspired this challenge!
My goddess tiles, and small sculptures.
So I set aside a small simple stoneware goddess. She is bare clay, fired to ^10 reduction with a wash of iron oxide to give her a patina. Iron oxide is a naturally occurring pigment, just rust actuallly, and it was used to color stone and cave paintings of this era. I tried her with honey tones, with rugged chunks of labradorite, with craggy rough turquoise. And I havent made a decision yet. I have an existing piece ( shown bottom left above) where I paired a stoneware goddess with Roman glass, geode slices, bronze ammonites... and I wanted to do something different. We'll see what I finally decide on. I'd love to hear your thoughts!
Here is what I did end up with as my "Early Human" offering:
Tab set in copper, this Marsha Neal cabochon is a dark clay body with a white "crusty" glaze. This already felt right, but its a spiral - an ancient motif that can embody change, journey, progression, life, cycles, it was perfect. I was drawn to use other ancient materials - a hollow shell that is reminiscent of bone, and a chunk of amber. Both bone and amber were used as adornments since... forever.
I wasn't sure I would have time to complete the necklace parts, but the Muse ( and the clock! ) cooperated:
Seed pods and chunky howlite connect the copper chain to the sari silk. Although rawhide would have been more historically accurate, the silk was the right fit aesthetically.
I love the pieces together, the spiral and the amber really sing to me. Please join us in this time travel inspiration, to our early human roots!
Thanks for joining us!
Heaven! What a whirlwind. I am firmly entrenched in "catch-up-week" followed immediately with show-prep" fortnight. LOL. But I wanted to share the fun and success that was my mixed media "Word Mojo" class at Bead Fest Spring.
Set up the night before. Not only is 8:30 an early start time, I need to know its all ready so I can relax and get some sleep.
I wanted the spots for students to be organized, and welcoming. I know I'd be thrilled to walk in to a spot already made ready for me...
This is what we did - my samples. The original "Word Mojo" focals debuted on AJE in January 2014. From then til now, I have been refining the process and was thrilled it was accepted as a class. We were making molds and altering them at times, from antique (copyright free!) found objects.
Molds, polymer, paint, Oh MY! One student kept giggling spontaneously. She was having a blast!
Some of the student work! (Sorry the picture is so off color. Wish I had taken more... )
There were shallow pieces with glaze and deeper pieces with resin:
All in all - they were pleased and inspired. I'd call that a success!